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Belledenface_2

Matthieu Gaffsou; Portfolio *

Graf

Gregor Graf; Nesting Site, 2005 *

Matador

Matador; JaG's House, 2007

Shrigley

David Shrigley; Imagine the green is red, 1997

Mirador_2

Joseba Florza (MiraRuido); Viewpoint, 2008

Schneider_doublings_6      

Gregor Schneider; Doublings

Museum Franz Gertsch; Burgdorf (CH),                                   18. April 2008 - 15. Juni 2008

Asemic

[Hand]writing does not just contain semantic information. It also contains aesthetic information (when seen as a shape or image) and emotional information (such as a graphologist would analyze.) Because it eliminates the semantic information, asemic writing brings the emotional and aesthetic content to the foreground. By contrast, e-mail is writing almost devoid of aesthetic and emotional content, apart from what the words contain. Asemic works play with our minds, enticing us to attempt to “read” them. Some asemic works make the viewer hover between “reading” (as a text) and “looking” (as a picture).

Tim Gaze; Asemic Magazine *

Lee

Ji Lee; Parallel World, undatiert

Dijkman

Marjolijn Dijkman; All alone among the Stars, 2007 *